Browse our entire collection of music publications for all ensemble types. From orchestra to marching band, discover quality arrangements and original compositions carefully crafted for educational programs.
Classical and contemporary works for string and full orchestra programs
A transcription of Anton Bruckner's beloved Ave Maria — originally written for chorus — reimagined for chamber orchestra with flexible wind parts. Scored for strings, percussion, and winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba, this arrangement is built for the real world of ensemble directing. Optional parts and simplified doublings give you the flexibility to work with whatever players are available, making complete, balanced scoring achievable even with an incomplete instrumentation.
Intermediate in difficulty, the piece moves through three distinct textural layers — lyrical solos, intimate instrumental choir writing, and full ensemble passages — giving your players a musically rich and varied experience while offering directors multiple opportunities to feature individual voices or sections.
Versatile enough for spring concerts, holiday programming, graduation ceremonies, sacred services, or general concert use. Score and individual parts included.
Bring one of wind band literature's most beloved works into the chamber orchestra setting with this flexible, educator-friendly arrangement of the first movement of Gustav Holst's Second Suite in F for Military Band. Scored for strings, percussion, and a full complement of flexible wind parts — including flute, oboe, clarinet, bassoon, trumpet, horn, trombone, and tuba — this arrangement is designed to meet your ensemble where it is.
Intermediate in difficulty, it works equally well for developing chamber orchestras and mixed-instrumentation groups. Optional parts and simplified doublings give directors the flexibility to adapt the piece to their available players, making it an ideal choice for differentiated instruction or varying rehearsal configurations.
Stately and ceremonial in character, this movement shines as a concert opener or a graduation processional. Score and individual parts are included.
Few pieces carry the ceremonial weight of Elgar's Pomp & Circumstance March No. 1 — and this chamber orchestra arrangement delivers that iconic sound in full, without requiring a full symphony orchestra to pull it off. Scored for strings, percussion, and flexible winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba, the flexible wind writing ensures your ensemble sounds complete and resonant regardless of available instrumentation.
Optional parts and simplified doublings give directors the tools to substitute instruments as needed, keeping the texture full and the performance confident even when personnel varies. The arrangement also includes dedicated performance suggestions for tailoring the piece to graduation and commencement ceremonies — covering entrances, pacing, and repeats so you're not left making those decisions on the fly.
Medium-advanced in difficulty, this is a must-have for any chamber orchestra library that serves schools, colleges, or community ensembles with regular ceremonial programming. Score and individual parts included.
One of the most thrilling showpieces in the orchestral repertoire, reimagined for chamber orchestra without sacrificing an ounce of its drive and energy. This arrangement of Reinhold Glière's Russian Sailors' Dance — from The Red Poppy — brings the full excitement and power of the original within reach of smaller ensembles, scored for strings, percussion, and flexible winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba.
Optional parts and simplified doublings give directors the flexibility to swap in available instruments and complete the scoring without compromising the energy that makes this piece so effective. The flexible wind writing is designed specifically so that missing players don't mean a missing performance.
Advanced in difficulty, this is a natural concert closer or encore — the kind of piece that leaves an audience on its feet. Score and individual parts included.
A dignified, traditional setting of the American national anthem for chamber orchestra and SATB chorus — ready for concerts, ceremonies, and official events of all kinds. Scored for strings, percussion, and flexible winds including flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, horn, trombone, and tuba, this arrangement is built to work with the ensemble you have.
Optional parts and simplified doublings allow directors to substitute available instruments and achieve complete, balanced scoring regardless of who's in the room. Whether your winds are full or partial on any given night, the arrangement holds together.
Intermediate in difficulty, this is an ideal concert opener or ceremony processional that pairs the instrumental ensemble with choral voices for a full, resonant sound. Score, individual instrumental parts, and SATB chorus parts included.
Full ensemble works for all skill levels, from beginner to advanced repertoire
Henry Fillmore wrote dozens of marches, but Lord Baltimore remains one of his best-kept secrets — and this arrangement is your chance to change that. Filled with thrilling fanfares, sweeping dynamic contrasts, and an irresistible rhythmic pulse, this is the kind of march that energizes players in rehearsal and stops audiences in their tracks at performance.
Medium in difficulty and well-suited for high school and college concert bands, Lord Baltimore offers something genuinely fresh for programs that have cycled through the standard march repertoire one too many times. It programs equally well as a concert opener, a standalone feature, or a rousing closer — the fanfare writing and dramatic contrasts give it natural shape and momentum from start to finish.
Flexible and optional parts along with simplified doublings allow directors to adapt the scoring to available instrumentation without losing the march's energy and drive. Included historical and program notes give audiences and students the context to appreciate Fillmore's outsized contribution to the American march tradition — and make a strong case for why this one deserves a place alongside his better-known works.
A sparkling, high-energy galop by Francis Johnson — one of the most significant and underrepresented figures in American band music history — arranged for concert band and accessible to a wide range of ensembles. Medium in difficulty, Victoria Gallop is short, stylistically distinctive, and genuinely fun to play, making it an ideal addition to any concert program without placing undue demands on your players.
The piece works equally well as a concert opener, a program contrast piece, or an adjudication warm-up — its brevity and character make it versatile across contexts. Flexible and optional parts along with simplified doublings give directors the tools to adapt the scoring to available instrumentation, so the arrangement works whether your band is large or small.
Included historical and program notes give directors and students the context to appreciate Johnson's remarkable place in American musical history — making this not just a performance opportunity but a meaningful curricular one, particularly for programming centered on the contributions of Black composers to the American band tradition.
High-energy arrangements for halftime shows, pep bands, and field performances
A high-energy marching band chart of Beyoncé's anthem Freedom — one of the most powerful and crowd-pleasing songs in recent memory — arranged in a practical key that puts it within reach of most medium-level high school and college programs without sacrificing any of the song's intensity or drive.
This chart works hard in multiple contexts: run it in the stands for instant crowd energy, deploy it for basketball pep band, or build it into a field show as a statement moment. The full marching band scoring means every section has a meaningful role, and the accessible key keeps the focus on performance rather than range management.
Score and all individual parts included.
A dignified, traditional setting of the American national anthem for marching band — ready for football games, homecoming, community events, and any occasion that calls for a confident, full-band performance of the Banner. Medium in difficulty and accessible to most high school and college programs, this is a reliable staple that belongs in every band's library.
What sets this arrangement apart is the included SATB chorus parts, making it a natural opportunity for cross-program collaboration with your choral department. Pair the marching band with your choir for homecoming, graduation, or any high-profile community event and deliver a performance that's genuinely memorable. Full marching band scoring gives every section a role, with flexible and optional parts to accommodate varying personnel.
Score and all individual parts — including SATB chorus parts — included.
Capitalize on one of the most talked-about moments from A Minecraft Movie with this short, high-energy stand tune that's guaranteed to get a reaction from any crowd that's seen the film — which, given its massive cultural footprint, is most of them. Instantly recognizable and genuinely fun to play, this is exactly the kind of chart that wins over students and audiences alike.
Compact enough to fit a timeout, a quarter break, or any moment you need a quick crowd igniter, this medium-difficulty chart is well within reach of most high school and college programs. Full marching band scoring gives every section a role, with flexible and optional parts that allow directors to adapt to available personnel without losing the energy of the full arrangement.
Score and all individual parts included.
Contemporary jazz arrangements and big band classics for all skill levels
Few charts in the big band repertoire hit harder than Groovin' Hard — the Buddy Rich Band's signature showpiece that has electrified audiences and intimidated drummers for decades. This arrangement brings that same energy within reach of developing players, carefully adapted for high school and college jazz ensembles without losing the drive, intensity, and authenticity that make the original so iconic.
The arranging approach is deliberate: modifications are strategic rather than cosmetic, preserving the spirit and feel of the Buddy Rich Band version while making the technical demands manageable for medium-advanced players. Sax soli writing, featured improvisation sections, and a prominent drum solo give your strongest players room to shine, while the ensemble writing remains idiomatic and true to the big band tradition throughout.
Well-suited for concert performance, festival, and adjudication programming, this is the kind of chart that makes an impression on judges and audiences alike — and gives your ensemble something genuinely worth working toward. Included historical and program notes provide context on the chart's place in big band history, adding depth to the performance experience for students and listeners.
Score and all individual parts included.
Powerful brass arrangements with flexible instrumentation options
One of the great fanfares in the orchestral repertoire, brought to life for flexible brass ensemble without sacrificing a note of its brilliance or technical demand. Paul Dukas's Fanfare for La Péri is a masterclass in brass writing — bold, ceremonial, and thrillingly effective — and this arrangement delivers that full impact in a format accessible to high school and college ensembles.
Scored for nine flexible brass parts across three trumpets, two horns, trombone/euphonium, and tuba/bass trombone, the instrumentation is designed to accommodate real-world ensemble configurations. Optional flugelhorn substitutions for horn parts and an optional horn substitution for third trombone/euphonium give directors meaningful flexibility without compromising the balance and weight the fanfare demands. Simplified doublings ensure the arrangement holds together regardless of exactly who's in the room.
Versatile across contexts, this is a natural concert opener or closer, a strong festival and adjudication choice, and an ideal processional for ceremonies that call for something more distinctive than the standard repertoire. Medium in difficulty, it is well within reach of most advanced high school and college brass players.
Score and all individual parts included.
One of the crown jewels of the Renaissance brass repertoire, Giovanni Gabrieli's Canzona per Sonare No. 2 arrives in a flexible brass ensemble arrangement that preserves the antiphonal drama and contrapuntal richness of the original while putting it within reach of real-world ensembles. Written for one of the most celebrated composers of the Venetian School — whose music echoed through the vast spaces of St. Mark's Basilica — this is a piece with history in every phrase.
Scored for nine flexible brass parts across three trumpets, two horns, trombone/euphonium, and tuba/bass trombone, the arrangement is designed to accommodate varying instrumentation without losing the textural balance that makes Gabrieli's writing so distinctive. Optional parts and simplified doublings give directors the tools to adapt the scoring to available players, ensuring a complete and satisfying performance regardless of ensemble configuration.
Medium in difficulty and genuinely versatile, this arrangement programs beautifully across a wide range of contexts — as a concert opener or closer, a festival and adjudication selection, a ceremony or processional, a sacred service, or general concert programming. Included historical and program notes give students and audiences the context to appreciate Gabrieli's place in music history and the remarkable sonic world his canzonas were written to inhabit.
Score and all individual parts included.
Individual brass performance pieces for recitals and competitions
We're currently developing exciting new solo brass arrangements. In the meantime, explore our other categories or contact us about custom arrangements for your solo brass needs.